Public Speaking for Artists | The Center for Emerging Visual Artists

Public Speaking for Artists | The Center for Emerging Visual Artists

Seats are still available for tomorrow's talk, "Public Speaking for Artists", hosted by The Center for Emerging Visual Artists. 

Speaker: Tom Wright, Director of Public Speaking, Temple University

The Center for Emerging Visual Artists,
237 South 18th Street, Suite 3a
Philadelphia, PA 19103

Time: 5:30pm
Cost: $12.00 ($10.00 for CFEVA, POST and InLiquid Artists)

Art in the Open Announces New Deadline for 2014 Proposals

Art in the Open Announces New Deadline for 2014 Proposals

Art in the Open Now Due January 3, 2014 Professional artists working in all media are invited to participate in Art in the Open 2014. From Friday, May 16 through Sunday, May 18, 2014, artists will use Philadelphia's Schuylkill River Banks as their studio space, creating new works of art 'outside, on-site.' Art in the Open re-frames the plein air tradition in a contemporary context, encouraging both artists and audiences to draw inspiration from the city's natural and urban landscapes. Using the Schuylkill River Banks Park as studio space, participating artists will have the opportunity to explore new or extend current working methods, develop process-oriented projects, and respond to a compelling intersection of urban and natural spaces in the public realm. Selected artists will have the opportunity to participate in complementary programming,  public engagement events, and to exhibit artwork created during AiO in the gallery at The Center for Emerging Visual Artists. For more information about the event and to view a gallery of AiO 2012 artists visit http://www.artintheopenphila.org. AiO Statistics: • 8-12,000 visitors per year (on the Schuylkill Banks) • 30+ Organizational Partners 25 Related programs off and on-site 2014 Art in the Open Jurors  Gerard Brown Tyler School of Art at Temple University's Center for the Arts  Harry Philbrick Pennsylvania Academy of the Fine Arts Museum Christine Pfister Pentimenti Gallery Theresa Rose  FringeArts . Final application deadline is January 3, 2014. Local, national and international artists are invited to apply. To apply visit  https://cfeva.slideroom.com/#/login/program/17400 or CLICK HERE TO APPLY For more information or questions, contact Genevieve Coutroubis at Genevieve@cfeva.org.  Juror Information Gerard Brown writes about art and makes pictures about language. His work has been exhibited in group- and one-person shows nation-wide. As an   independent curator, he has organized exhibitions throughout the Philadelphia region and has been the recipient of a Pennsylvania Council on the Arts Grant in Visual Arts Criticism. He earned his BFA from Boston University and his MFA from the School of the Art Institute of Chicago. He is currently an Assistant Professor and the Chairperson of Foundations at the Tyler School of Art at Temple University’s Center for the Arts. Christine Pfister studied at Christie’s Education at Christie’s in New York and since 1995 she has been the Co-Owner and Director of Pentimenti Gallery in Philadelphia. She has given many lectures, and participated on panels, in the Philadelphia area. Lectures/panels include the University of Pennsylvania, the University of the Arts, the American Association of Museums, Pennsylvania Academy of the Fine Art, Moore College of Art & Design, Kutztown University, Kutztown, and more. She is active in a variety cultural organizations including CFEVA, ArtTable and the Maurice Rohrbach Fund. Pentimenti Gallery exhibits contemporary art by emerging to mid-career artists. The gallery’s exhibitions were reviewed in major magazines and newspapers, such as Art in America, The Art Economist, Timeout New York, the Brooklyn Rail, USA Today, Philadelphia Style Magazine, Philadelphia Inquirer, and more. The gallery has exhibited nationally at various art fairs: Pulse NY, Volta NY, Texas Contemporary, Miami Project and CONTEXT Art Miami. Harry Philbrick, Edna S. Tuttleman Director of the Pennsylvania Academy of the Fine Arts Museum, directs a museum known internationally for its collections of 19th- and 20th-century American art. The museum’s archives house important materials for the study of American art history, museums, and art training.  Mr. Philbrick is spearheading a revived engagement with contemporary art at PAFA, creating a substantial endowment to rekindle the Museum’s program of actively collecting contemporary art and curating an ambitious series of contemporary exhibitions.  Under his guidance the Museum will open a dedicated Works on Paper Gallery in September, 2013. Mr. Philbrick has twenty-plus years of experience in museum management, exhibition curation, development, and educational programming and was the Director of The Aldrich Contemporary Art Museum from 1996 – 2010.  Mr. Philbrick furthered The Aldrich’s mission of exhibiting provocative and significant contemporary art and establishing education programs that serve as national models in museum education. Mr. Philbrick received his Master of Fine Arts from London University’s Goldsmiths’ College.  His own artwork has been exhibited in the United States and the United Kingdom.  Theresa Rose is currently the Visual Arts Program Director for FringeArts. From 2007-2012, Rose was Public Art Project Manager for the City of Philadelphia Office of Arts, Culture & the Creative Economy where she managed the Percent for Art program and lead the City’s first temporary public art commission, Soil Kitchen, by the artist team Futurefarmers. Independently, Rose is the founder and one of the organizers of Philly Stake, a micro-granting program for relevant & creative community engaging projects. She is also a Knight Foundation grantee for her upcoming participatory art and food series entitled Operation Food for Thought. Prior to her employment at FringeArts and city government; Rose worked on several projects as an independent curator and artist including exhibitions at Crane Arts, Seraphin Gallery and Little Berlin. She received her MFA from the Pennsylvania Academy of Fine Arts, where she co-chaired the Visiting Artist Lecture Series Program.

Current and Upcoming shows, Fall/Winter 2013

I am participating in two new group exhibitions. I currently have several recent works in "Abstraction Today", on view at Bucknell University's Downtown Gallery, 416 Market Street, Lewisburg, PA. "Abstraction Today" continues until March 2, 2014.

The second show that I have work in is "A Random Walk", curated by Robert Solomon and taking place at the Rowan University Art Gallery, located in Westby Hall, 200 Mullica Hill Road, Glassboro, NJ 08028. "A Random Walk" will be on view from November 21-December 21, 2013. 

I will be exhibiting four paintings produced in the spring of 2012 that explore combinations of loose brushwork, patterns and geometric abstraction. I am joined in this exhibition by several great Philadelphnia-based artists working with abstraction including Patricial Ingersoll, Emily Brett Lukens, Rebecca Rutstein, Robert Solomon and Douglas Witmer.

A Random Walk

November 21-December 21, 2013

Curated by Robert Solomon

Opening Reception:

Thursday, November 21, 5:30-7:00pm

Gallery talk with artists begins at 6pm

Rowan University Art Gallery

Westby Hall, 200 Mullica Hill Road

Glassboro, NJ 08028

www.rowan.edu/artgallery

856.256.4521

Gallery hours:

Monday-Friday 10am-5pm

Wednesday 10am-7pm

Saturday 12pm-5pm

Art and Impermanence: thoughts on painting out "We Dance to Pray"

My latest show at the Bridgette Mayer Gallery, "Presence", closed back on October 5th, 2013. Earlier that week, I arranged to be at the gallery when the deinstallation was to take place so that I could be the person to begin the process of  covering up my painting installation "We Dance to Pray". It was really important to me to bring this piece full-circle because I made it, so I should be the one to destroy it. This is what I had planned for back when I thought of doing a wall piece for the show. The show had a finite time-span and since it was a part of the architecture that needed to be used for following shows, so did this piece. 

The obvious question from most everyone that I talked to about what I was going to do was some variation of, "Won't you feel sad about it being painted over?". My answer was that it was intended to be a temporary work, so, I had no reservations about striking out the painting, as long as I was the one to at least start the process of doing so. It was important to experience that control over something that I made. I didn't want to leave this part of this exhibition experience to someone else. I won't deny that there were times when I thought of the physical and emotional energy it took to make the painting and said to myself, "Wow, all of that energy used and now I'll have to cover all of this up in a month". The thing is, I go through this every time I paint something. Inevitably, there are those moments where certain marks are made and passages of color are admired, and I start thinking about ways to save those satisfying moments of bliss. However, as I remarked in recent conversations, many of those small, enjoyable moments in a painting might contribute to, but not make an entire painting work. Often some of those small moments have to be sacrificed on the way to hopefully making a good painting, or a good painting better. The same as with life where we may experience what seem to be too-quick moments of extraordinary bliss and pleasure. Those moments are often fleeting and cannot be recreated, but they contribute something mighty to our existence. 

Covering up "We Dance to Pray" myself was about practicing what I preach about not letting any artwork become so precious that you cannot conceive of letting it go, whether changed while in the process of being made, the work being sold, or through some other way that you might not have control over. Having the opportunity to cover the painting myself was immensely satisfying because I had personal closure with the entire experience of the exhibition, from start to finish; a year and-a-half or more in the making. Had I left the coverage entirely to the gallery's wall preparer, I would have felt more of a loss than closure. It's a similar feeling as not being able to grieve properly for a loved one, whatever that process might be for you. When that happens, there's a sense that the experience is left open-ended with business unfinished. Having done this, I was able to close that chapter and move on to whatever else I'm going to be doing next without that loose end hanging out there. 

Saltz on the Trouble With Mega-Galleries

Saltz on the Trouble With Mega-Galleries

Jerry Saltz's take on the Pace/Hauser & Wirth/Gagosian/Zwirner take-over of the art world and the affects on some of their artists' work...

Interview on ArtBookGuy.com

Fragment (blue shadow), 2013, acrylic on panel, 16" x 20"

In September, was interviewed online by Michael K. Corbin, aka, "Art Book Guy". Corbin is an avid art collector, writer, and full-time broadcast journalist. He writes about different aspects of the art world on his site, ArtBookGuy.com. We conducted our interview over the span of a few email exchanges during the month where Michael asked some really solid questions. You can read the full interview here: 

Tim McFarlane: Architectural Space

Studio 10.04.13

Had my first hours-long studio session since the show opened last month. It felt good to be back at it, trying to make sense of ideas that have been in my head for some time now...

Photo shoot and interview with Tony Ward...

Last week, I participated in a photo shoot with well-known photographer Tony Ward at the Bridgette Mayer Gallery. We took a few shots in front of my wall installation, We Dance To Pray and a couple of them are used here along with an interview that we conducted via email...

Tim McFarlane on DoNArTNeWs

Tim McFarlane, Bridgette Mayer Gallery

Don Brewer, Philadelphia-based artist and art blogger has posted a great article on his blog featuring my show and my words in conversation with gallery visitors on September 14th, 2013.

I was in the gallery that day from 11am-2pm to make myself available to talk informally with gallery visitors about the show. I repeated the experience this past Saturday, September 28th from 2-5pm.

Gallery Appearance tomorrow!

Tim McFarlane, "Presence", entry view, September 2013

(photo: Karen Mauch Photography)

Tim McFarlane, "Presence", rear gallery view, September 2013

(photo: Karen Mauch Photography)

Just a reminder that I will be at the Bridgette Mayer Gallery tomorrow afternoon (Sat. 9.28.13), from 2-5pm and available to answer questions and have informal conversations about the work in my exhibition "Presence". The exhibition closes on October 5th.

Tim McFarlane at the Bridgette Mayer Gallery
Saturday, September 28, 2013
2-5pm

Bridgette Mayer Gallery
709 Walnut Street, 1st Floor
Philadelphia, PA 19106
215.413.8893
www.bridgettemayergallery.com

"Presence" exhibition updates and gallery appearance news...

We Dance to Pray, 2013, acrylic on drywall, 9 x 13 feet

"Presence" exhibition updates...

We are past the half-way mark for the show and things have been going really well. "We Dance to Pray", my site-specific painting installation has been a favorite among visitors to the exhibition and as a reminder, the you have until October 5th to experience it. Once the show is over, WDTP will only be seen in reproduction form.

"In his first solo show in the new space, he has managed what many artists before him have not been able to do - find the right balance and scale of works for the hallway and then make the most of that huge back wall...McFarlane's enormous site-specific painting, We Dance to Pray, on the back wall is the most exciting, visceral use of this wall to date, allowing viewers the sensation of walking into the painting."

-Edith Newhall, (Philadelphia Inquirer, Sunday, September 8, 2013)

Gallery appearance! 
This coming Saturday, September 28, 2013, I will be making myself available to visitors of the show to talk about the work. If you're in the area, stop in between 2-5pm to see the show, say 'hi', and chat a bit.

Tim McFarlane at the Bridgette Mayer Gallery 
Saturday, September 28, 2013
2-5pm

Bridgette Mayer Gallery
709 Walnut Street, 1st Floor
Philadelphia, PA, 19106
www.bridgettemayergallery.com
215.413.8893

"We Dance to Pray"

We Dance to Pray, 2013, acrylic on drywall, approx. 9 x 13 feet

(photo: Karen Mauch Photography)

I'm just getting around to posting a good, full image of We Dance to Pray, my painting installation that is part of my current exhibition at the Bridgette Mayer Gallery, "Presence", and here it is. This is certainly one of my favorite pieces to have worked on, so far. To have the freedom to paint what I wanted directly on the wall at the gallery was a very liberating thing. I did a similar piece back in 2009-"This Moment" (a small partial image can be seen on the right hand sidebar of this blog),  but WDTP goes beyond the previous one in man aspects, but I just feel that it's a better painting.

Below is my statement for We Dance to Pray:

The studio is rarely silent when I’m working. Music fills the space from the moment I walk in and doesn’t end until I leave for the day. I listen a wide range of music, but the genre of House (and various sub-genres) dominate my studio listening most of the time.  When I was preparing a list of materials for this painting installation, the first thing on it was “iPod dock”-not brushes, not paints, but the music. It’s that important.

During the second day of working on “We Dance to Pray”, Bridgette asked me if I had a title for the piece and I said that I didn’t. I almost never choose titles before I complete a piece. However, the question did trigger the naming process and before I was finished, the painting had a title. “We Dance to Pray” is a lyric from a house tune that I don’t remember the name of, but it stuck with me as I navigated the layers of this piece and remained strong even as I completed the painting.

“We Dance to Pray” isn’t a direct interpretation of music. However, the overall sense of the painting feels musical. The underlying structures form a basic beat that is changed and multiplied in the three sections of the top layer. We Dance to Pray as a title suggests the ecstatic, near-religious experiences that some forms of dancing can enhance, and is particularly resonant in much of house music, especially in soulful, vocal house. Vocal house links directly to the musical traditions of the black church with its joyful exuberance, uplifting tempos and positive outlook. House is like the secular version of religious music, only more outwardly sensual in its embrace of life. Instead of a church, house brings us to the dance floor, where we dance to release the demons of a stressful life, let ourselves go and offer up thanks the release. We dance to pray.

Tim McFarlane

August 2013

'Presence' takes off!

I'm trying to catch up with various things after having a great opening reception for my current exhibition, "Presence",  at the Bridgette Mayer Gallery last Friday (9.06.13). It was a great night with me catching up with friends, colleagues, collectors, and others.

The opening was followed up by a wonderfully complimentary review in the Sunday Philadelphia Inquirer by Edith Newhall. You can read the review online here: "Settling in at Bridgette Mayer"

The full text is below:

"Settling in at Bridgette Mayer"
By Edith Newhall (Philadelphia Inquirer, Sunday September 9, 2013)

"It's been fascinating to see how artists have responded to the Bridgette Mayer Gallery's redesigned space since its official reopening in November 2011 - in particular, the ways in which the gallery's "old guard" have rethought their former quarters when having their first solo shows in the "new" space.

It's the same historic building, of course, but it now has one very long wall running along a somewhat narrow hallway, and one huge, spectacular one in the back that literally draws gallery visitors like a giant magnet. The new iteration is also as polished and professional as it used to be cozy and relaxed.

Surprisingly, though, considering they might have been intimidated by their new digs, all of the longstanding gallery artists who've had one-person shows at Mayer since 2011 have risen to the challenge, none more so than Tim McFarlane. In his first solo show in the new space, he has managed what many artists before him have not been able to do - find the right balance and scale of works for the hallway and then make the most of that huge back wall.

With "Presence," McFarlane has also created one of his most cohesive bodies of work to date; the small paintings displayed in the front room and along the hallway announce that right away. In each, energetically painted gestural lines form netlike compositions that coalesce with varying background colors, conjuring different places and experiences, musical rhythms, and McFarlane's own riff on the physical act of painting.

So many paintings of the same size need not have been hung so close together - a strategy that's been employed in other shows here to take advantage of the long wall but that tends to undermine the individuality of works - but the paintings across from them are varied in scale and color and more anomalous in this show, such as his bucolic, lovely Vortex, which combines a gestural composition with an inner open space that looks like a clearing in a forest.

McFarlane's enormous site-specific painting, We Dance to Pray, on the back wall is the most exciting, visceral use of this wall to date, allowing viewers the sensation of walking into the painting. At the same time, it is a logical progression in his show (as was Eileen Neff's photographic work on this wall in her show at this time last year), not straining to be a separate "project."

----------------------------------------------------------

Also, during the opening, Bridgette Mayer presented a check for $17,000.00 to members of non-profit dance company Ballet X, based in Philadelphia. The funds are the result of money raised during the 2013 Benefit Exhibition, held earlier this summer at the gallery. The benefit continues online until November 1st at phillyartexperience.com/art, where two of my paintings on panel can be purchased (10 x 10 inches, acrylic on panel, both completed in spring 2013. 

Last, but not least, I will be in attendance at the gallery this Saturday, September 14th, from 11am-2pm, so if you are in the area, stop by to see the show and chat a bit!

First Friday Focus: September 2013 :: Arts :: Picks :: Philadelphia City Paper

Nice mention of my new solo exhibition in the Philadelphia City Paper...

First Friday Focus: September 2013 :: Arts :: Picks :: Philadelphia City Paper: Philadelphia-based artist Tim McFarlane is part of growing group of impressive abstract painters featured at Bridgette Mayer Gallery. His pieces are made up of chunky, complicated layers that highlight shape and color in equal parts. While McFarlane’s paintings are often curvy and fantastical, his exhibit “Presence” is colder and more geometrical, in a good way. The show also includes a site-specific painting, and McFarlane said his artwork is inspired by his environment. “The masses of forms overlapping, supporting, and negating each other in my work mirror observations of everyday life,” he said in a statement, “of how people interact with each other and their surroundings, as well as how the passage of time imposes itself on the memory of experience.” Through Oct. 5, opening Fri., Sept. 6 6 p.m., 215-413- 8893.

Upcoming shows from others...

I've been neck-deep into my own work this summer preparing for my upcoming show, but of course, I'm not the only one keeping busy. Here is a partial list of new shows and one new website by some fellow artist friends...

Current

Renowned photographer Tony Ward has unveiled his new website, featuring new works.

Steven Baris at Delaware Center for Contemporary Art, Wilmington, DE, through November 3rd

Upcoming

Lisa Pressman at Rosenfeld Gallery, Philadelphia, PA

Joanne Mattera at Arden Gallery, Boston, MA

Rebecca Saylor Sack at J. Cacciola Gallery, New York, NY

Deirdre Murphy at the Painted Bride Art Center, Philadelphia, PA

Timothy Gierschick II at the University City Arts League, Philadelphia, PA

"We Dance to Pray"

(photo: ©Bridgette Mayer Gallery)

Day two of working on the wall piece found me making a lot of progress. So much progress that it's complete. I'm going in to look it over today and make any small adjustments that I deem necessary but yes, I'm very pleased to have gotten so far with it. Images of the completed piece will be released after the opening next week-Friday, September 6th, 6-8:30pm at the Bridgette Mayer Gallery

The title of the piece came to me earlier this morning, while I was trying to get back to sleep after waking up much too soon. I'm calling it, "We Dance to Pray", an homage of sorts to my love of house music and the soulful, ecstatic, positive, enveloping warmth that it can bring about.

(photo: ©BridgetteMayerGallery)

The show is hung and today I got to work on a site-specific wall painting in the rear of the gallery. I'm really excited about this part. The main work is done, the bulk of the stress has lifted and now I get to have some fun. I'm approaching this work in the same way that I approach the paintings on panels and canvas: act, react and act some more until it's done.

"Presence": Solo Exhibition at the Bridgette Mayer Gallery

"Pink Mirror", 2012, acrylic on panel, 36" x 36"

I'm pleased to announce my next solo exhibition at the Bridgette Mayer Gallery, "Presence".  Presence will consist of paintings completed in 2012 and 2013. The new paintings explore themes related to physical and sensory experiences related to identity and place. There is also a continuing engagement with linear mark-making that defines space and form in my work. 

Tim McFarlane: "Presence'

September 5-October 5, 2013

Opening Reception: Friday, September 6th, 6-8:30pm

Bridgette Mayer Gallery

709 Walnut Street, 1st Floor

Philadelphia, PA, 19106

www.bridgettemayergallery.com

bmayer@bridgettemayergallery.com

215.413.8893

If you're in or near Philadelphia during the month of September, stop by and see the show!

Interviewed for "Ahtcast"...

Yesterday, I had the pleasure of being interviewed by Phillip J. Mellen for his artist interview series, "Ahtcast". So, sit back, relax, and listen to me ramble on (and laugh nervously) about the things I do when no one is looking...

BOMBLOG: Radcliffe Bailey by Lilly Lampe

Really good interview with Radcliffe Bailey on BOMBLOG...

BOMBLOG: Radcliffe Bailey by Lilly Lampe