The paintings are hung and they look great in the space. The whole afternoon went by in a flash. It took all of two hours to make decisions about which works were going to actually be in the exhibition and which ones wouldn't and where to place the remaining pieces. Bridgette and I were surprised by how quickly the installation went. I thought we'd be there well into the evening. Happily, that wasn't the case. I guess the toughest part was choosing which paintings to hang next to each other. It was like playing 'musical paintings' or something; shuffling paintings from one place to another in attempts to come up with the best combinations.
I was happy that everything was done, but too tired to show any real excitement. That came from not getting enough sleep last night. I had some last-minute painting to do on the edges of some paintings and had this elaborate plan to get up around 5:30 this morning. I planned it that way because I was having someone meet me with a van at 10:30am to help deliver the works. I needed some time to make sure everything dried in time. Well, my alarm clock went off on time and I slept for another hour and another until I finally got up sometime close to 8am. Went up to the studio, did what I had to do, and still had time to spare. I really wished that I hadn't been so paranoid about it, but I'd rather be safe than sorry and lose a little sleep.
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I'm experiencing a mixture of excitement, dread, and relief at the same time. I'm happy with the work and I'm glad everything went as smoothly as it did. However, now comes the time that other people will see these works for the first time in person. I've been living with them for nine months, more if you count the amount of time I had the ideas swirling around in my head before I began painting this series last November. The thing is, the show is up and I can breathe a sigh of relief and take it easy for a couple of days, at least. There's still more to do, but that's mainly in the way of continuing to get the word out about the show. I grabbed a huge pile of postcards to hand out before leaving the gallery. I'll probably run through them in no time. The main mailing is done, so I can go crazy with handing them out.
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This show is happening at a significant time for me because I feel like there's real potential for continued exploration with the new images and ideas. The last show was the culmination of four years of working within a particular set of ideas. This time, instead of wondering what to do next, I have a whole new set of artistic challenges ahead of me that I want to explore right away. I'm not taking a break from painting after the opening reception like I did last year. There are simply too many ideas swirling around in my head right now to let slip by or rot away.
1 comment:
Hi Tim, I enjoyed your most recent post! I have to say that the installation yesterday had such a great energy and flow to it.
I feel privelaged to get to work with such a talented painter as yourself and live with your gorgeous work for the next month.
You did a tremendous job in putting together your work for this exhibition and continue to be a role model in the community.
XOXO, BM
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