Thursday, February 03, 2022

Rest & renewal (is good for art)

(detail of new painting 2.01.22)

Last Friday, I left the studio thinking that I was just about finished with a new painting; that I was just a few small moves away from stopping work on it. Of course, when I got back to the studio yesterday (Monday), I saw that this painting's journey was just beginning. This happens a lot and I'm always telling people that it's a great practice to let a work sit for a day or two, maybe a week, when you feel that it's done or if you're having problems with it and stepping away makes sense. I mostly work in the studio during the week, leaving Saturday and Sunday open to spend time with Julia. Things tend to work out well with this schedule. 

So, last Friday I stopped working on the painting. I felt that it was nearing completion and all I needed was a couple of big or little moves to bring it to its final state. There was some  leakage of paint from under the painter's tape on a section of the painting, resulting in some feathering of paint beyond the border that I didn't want to leave visible. I thought about what to do for a bit, but decided that it was best to just leave it alone for a while since I couldn't find some resolution then. The couple of days away from the work and studio did me good. Monday, I came to the studio with new mental energy and insight into what I thought needed to happen. Without thinking about it too much, I started to add some collage elements to the painting surface with the intention of adding brushwork and drawing on top of them. It was a really risky move, but well worth it in the end.

By the time I was done for the day, I was really happy about having taken the leap of faith with adding the collage elements. They completely changed the spatial dynamics within the image, making for a much more interesting composition than previously. Part of what I was after were different sets of marks than were there previously. The mix of opaque and transparent papers made a huge difference. Adding more marks on top of that pushed this painting to a place it would have never gotten to had I not let it (and myself) rest for a couple of days. 

TM

No comments: