There is a nice mention of my painting, "Constant Flux" in the review of the group exhibition "Karmic Abstraction" by Edith Newhall in the Sunday Inquirer.
'Karmic Abstraction' will be on view at the recently re-designed and expanded Bridgette Mayer Gallery until December 31, 2011. There will be an Opening Reception on Friday, December 9th from 6-8:30pm
Showing posts with label philadelphia inquirer. Show all posts
Showing posts with label philadelphia inquirer. Show all posts
Monday, November 21, 2011
Monday, June 22, 2009
Airport show mention in the Inquirer
Happy summer! I'm told that the sun is expected to appear for possibly two days in a row sometime in the next couple of months. This perpetual cloud cover and rain has to let up sometime...
On another note, I received a brief mention in an article by Edith Newhall in the Philadelphia Inquirer about the current exhibitions at the Philadelphia International Airport. If you're passing through the airport any time between now and September and have a little time on your hands, wander over to Terminal F, Concourse 3 to see my works on paper. There's a lot of great art to see all over the airport, so it might be a good time to make PHL a stop-over art destination.
Monday, June 15, 2009
'Back on my Feet' in the Inquirer
Back on My Feet, the current group show that I am a part of at Bridgette Mayer, was mentioned by Edith Newhall in yesterday's Sunday Inquirer:
Group hug
On Washington Square, meanwhile, Bridgette Mayer has assembled a sprawling do-gooder benefiting the nonprofit Back on My Feet, an organization that promotes the self-sufficiency of Philadelphia's homeless population by engaging homeless individuals in running as a means to build confidence, strength, and self-esteem. While not stringent on the gallery artist front - too many of her regulars are here - this summer group show of 100 donated works also boasts contributions from Back on My Feet participants and by such well-known Philadelphia artists as Candy Depew, Tristin Lowe, Eileen Neff, and Odili Donald Odita.Some of the standouts are by the aforementioned, predictably, but also by Mark Brosseau, Jon Manteau, Tim McFarlane, J. McAleer, David Slovic, Brooke Steytler, Paul Santoleri, Rebecca Saylor-Sack, Ivan Stojakovic, and Jackie Tileston.
All works are priced between $500 and $1,000, and proceeds will directly benefit Back on My Feet.
Labels:
back on my feet,
edith newhall,
philadelphia inquirer,
press
Saturday, June 16, 2007
Exhibition review
Review of my exhibition at Bridgette Mayer by Edith Newhall.
Philadelphia Inquirer Weekend section
Friday, June 15, 2007
p. W29
Loosening up
Since his last solo show at Bridgette Mayer Gallery two years ago, Tim McFarlane has abandoned the open, three-dimensional grid forms that inhabited that last body of work for a looser, all-over lyrical abstraction that looks vaguely like strands of chains or fishing nets over a gestural abstract painting. He has also jettisoned the square canvas for the rectangular one, which suits his style of painting better. The action seemed to stop short on the square.
A few of these paintings are just perfect, in particular Plume, with its exposed lower corner of a muscular, vividly colorful underpainting, drips and all, which made me think of the painter Melissa Meyer. His small paintings, Mute and Green Whispers, which have thicker, lusher surfaces than some of the large ones, hint at a depth and mystery that are too obscured in other works.
But I'd also like to see an enormous McFarlane. He seems to be stretching out.
Philadelphia Inquirer Weekend section
Friday, June 15, 2007
p. W29
Loosening up
Since his last solo show at Bridgette Mayer Gallery two years ago, Tim McFarlane has abandoned the open, three-dimensional grid forms that inhabited that last body of work for a looser, all-over lyrical abstraction that looks vaguely like strands of chains or fishing nets over a gestural abstract painting. He has also jettisoned the square canvas for the rectangular one, which suits his style of painting better. The action seemed to stop short on the square.
A few of these paintings are just perfect, in particular Plume, with its exposed lower corner of a muscular, vividly colorful underpainting, drips and all, which made me think of the painter Melissa Meyer. His small paintings, Mute and Green Whispers, which have thicker, lusher surfaces than some of the large ones, hint at a depth and mystery that are too obscured in other works.
But I'd also like to see an enormous McFarlane. He seems to be stretching out.
Subscribe to:
Posts (Atom)